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Sunday, April 16, 2017

DS9: The "Tito Jackson" of Star Trek


So there are five original Star Trek TV series. There's the original, The Next Generation, Voyager, Deep Space Nine and Enterprise

Each series addresses a specific element of creator Gene Roddenberry's vision. One deals solely with social issues, another is about calculating risks. But they all have an important part to play in the world of Trek.

Well, most of them. 

The Next Generation and Voyager are obviously the "Michael" and "Jermaine" of the series respectively. TNG shines much brighter than the other with a captain who is the epitome of a great leader and a strong subset of important characters. Voyager's sparkle is a bit less bright, but is still a great second because of the story's innovative fiasco resolutions. Plus, the late addition of the Seven of Nine character gave the series a much-needed reboot that sparked a whole new generation of fandom.

Enterprise is the "Marlon". You kinda remember it. Nothing interesting. Pretty to look at. But it just kind of fades into the background to hold up the stage props. Coulda stayed home.

And then there's Deep Space Nine. Crappy, nonsensical Deep Space Nine. The "Tito" of the group. For lots of reasons.

A. The series' tone is completely off-key. It's the written version of that one guy at the karaoke bar who thinks he's amazing but actually sounds like a werewolf on crack. 

B. It's cast of characters are boring. I don't even remember what they look like, really.

C. Captain Sisko confuses violence with relevance.

D. They don't even leave the damn space station! 

It's like someone said "we need a new Star Trek series, but we have no budget, no creativity and no message...hey, lets call this crap 'Deep Space Nine'.  

Sigh. I can't even.



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